For casual chats, the best place to reach me is on Patreon or Facebook.
FOR BUSINESS MATTERS ONLY
joejeremiahofficial(at)gmail(dot)com
___
CREDITS
“Sadness and Sorrow” by Toshiro’ Masuda (Naruto)
Arranged and Performed by Joe Jeremiah
___
FAQ
Can you do A-Bit of X? (Requests)
I love requests; some of the best videos have come from your requests! However, I get a lot of requests, so I try not to make any promises about what I will and won’t cover. When choosing what music to cover I look for popularity, relevance and, ultimately, whether I like the music and believe I can do it any justice.
Any tips for people wanting to pick up keyboard/ piano?
1. Listen to as much music as possible!
2. Learn to play by ear. Listen to the music you like and try to figure out how to play through trial and error. You can use sheets to see if you got it right, if you like.
3. Learn the major, minor and pentatonic scales, as well as basic chords. These will help you to…
4. IMPROVISE. Have fun and make stuff up. There’s plenty of teachers on YouTube who can give you great advice on how it’s done.
5. Use the internet. This was a huge part of my own development as a player. I am almost completely self-taught… unless you count the internet as a teacher!
What equipment do you use?
For A-Bit of 8-Bit I play a Novation Launchkey 49. I run this through Plogue Chipsounds for the 8-bit sounds. I record and arrange in FLstudio. I use a Canon Kiss x4 to film and edit in Adobe Premiere Pro.
For Joe & the Beast with 88 Teeth I play a Bernstien Upright Piano (used as a MIDI device) using the plugin: Alicia’s Keys. I film with GoPro hero4 and edit in Adobe Premiere Pro.
via YouTube https://youtu.be/HZj5lRAGQsY
Tha shocking conclusion to the A-Bit of Anime trilogy…
Patreon: http://ift.tt/2mlW3ql
ITunes: http://ift.tt/1cHxdsk
Facebook: http://ift.tt/19a99L4
Twitter: https://twitter.com/Joe_Jeremiah
Instagram: http://ift.tt/1cHxfAi
8-Bit Shirts: http://ift.tt/1gvUQ6j
Soundcloud: http://ift.tt/1o0q9iS
Paypal Donations: http://bit.ly/2oyI9lj
___
CONTACT ME
For casual chats, the best place to reach me is on Patreon or Facebook.
FOR BUSINESS MATTERS ONLY
joejeremiahofficial(at)gmail(dot)com
___
CREDITS
0:08 – “Unravel” by TK (Tokyo Ghoul)
1:39 – “Again” by Yui (Full Metal Alchemist: Brotherhood)
3:01 – “Crossing Field” by LiSA (Sword Art Online)
3:06 – “You Say Run” by Yuki Hayashi (My Hero Academia)
4:29 – “Sadness and Sorrow” by Toshiro’ Masuda (Naruto)
5:37 – “Tank!” by Yoko Kanno (Cowboy Bebop)
5:44 – “Guns & Roses” by Paradise Lunch (Baccano!)
Arranged and Performed by Joe Jeremiah
___
FAQ
Can you do A-Bit of X? (Requests)
I love requests; some of the best videos have come from your requests! However, I get a lot of requests, so I try not to make any promises about what I will and won’t cover. When choosing what music to cover I look for popularity, relevance and, ultimately, whether I like the music and believe I can do it any justice.
Any tips for people wanting to pick up keyboard/ piano?
1. Listen to as much music as possible!
2. Learn to play by ear. Listen to the music you like and try to figure out how to play through trial and error. You can use sheets to see if you got it right, if you like.
3. Learn the major, minor and pentatonic scales, as well as basic chords. These will help you to…
4. IMPROVISE. Have fun and make stuff up. There’s plenty of teachers on YouTube who can give you great advice on how it’s done.
5. Use the internet. This was a huge part of my own development as a player. I am almost completely self-taught… unless you count the internet as a teacher!
What equipment do you use?
For A-Bit of 8-Bit I play a Novation Launchkey 49. I run this through Plogue Chipsounds for the 8-bit sounds. I record and arrange in FLstudio. I use a Canon Kiss x4 to film and edit in Final Cut X.
For Joe & the Beast with 88 Teeth I play a Bernstien Upright Piano (used as a MIDI device) using the plugin: Alicia’s Keys. I film with GoPro hero4 and edit in Final Cut X.
via YouTube https://youtu.be/KcvIWMT_blo
For casual chats, the best place to reach me is on Patreon or Facebook.
FOR BUSINESS MATTERS ONLY
joejeremiahofficial(at)gmail(dot)com
___
CREDITS
“Merry Go Round of Life” (From Howl’s Moving Castle) by Joe Hisaishi
Arranged and Performed by Joe Jeremiah
___
FAQ
Can you do A-Bit of X? (Requests)
I love requests; some of the best videos have come from your requests! However, I get a lot of requests, so I try not to make any promises about what I will and won’t cover. When choosing what music to cover I look for popularity, relevance and, ultimately, whether I like the music and believe I can do it any justice.
Any tips for people wanting to pick up keyboard/ piano?
1. Listen to as much music as possible!
2. Learn to play by ear. Listen to the music you like and try to figure out how to play through trial and error. You can use sheets to see if you got it right, if you like.
3. Learn the major, minor and pentatonic scales, as well as basic chords. These will help you to…
4. IMPROVISE. Have fun and make stuff up. There’s plenty of teachers on YouTube who can give you great advice on how it’s done.
5. Use the internet. This was a huge part of my own development as a player. I am almost completely self-taught… unless you count the internet as a teacher!
What equipment do you use?
For A-Bit of 8-Bit I play a Novation Launchkey 49. I run this through Plogue Chipsounds for the 8-bit sounds. I record and arrange in FLstudio. I use a Canon Kiss x4 to film and edit in Final Cut X.
For Joe & the Beast with 88 Teeth I play a Bernstien Upright Piano (used as a MIDI device) using the plugin: Alicia’s Keys. I film with GoPro hero4 and edit in Final Cut X.
via YouTube https://youtu.be/VY9Rc8CPq-Y
For casual chats, the best place to reach me is on Patreon or Facebook.
FOR BUSINESS MATTERS ONLY
joejeremiahofficial(at)gmail(dot)com
___
CREDITS
“Wind” by Akeboshi
Arranged and Performed by Joe Jeremiah
___
FAQ
Can you do A-Bit of X? (Requests)
I love requests; some of the best videos have come from your requests! However, I get a lot of requests, so I try not to make any promises about what I will and won’t cover. When choosing what music to cover I look for popularity, relevance and, ultimately, whether I like the music and believe I can do it any justice.
Any tips for people wanting to pick up keyboard/ piano?
1. Listen to as much music as possible!
2. Learn to play by ear. Listen to the music you like and try to figure out how to play through trial and error. You can use sheets to see if you got it right, if you like.
3. Learn the major, minor and pentatonic scales, as well as basic chords. These will help you to…
4. IMPROVISE. Have fun and make stuff up. There’s plenty of teachers on YouTube who can give you great advice on how it’s done.
5. Use the internet. This was a huge part of my own development as a player. I am almost completely self-taught… unless you count the internet as a teacher!
What equipment do you use?
For A-Bit of 8-Bit I play a Novation Launchkey 49. I run this through Plogue Chipsounds for the 8-bit sounds. I record and arrange in FLstudio. I use a Canon Kiss x4 to film and edit in Final Cut X.
For Joe & the Beast with 88 Teeth I play a Bernstien Upright Piano (used as a MIDI device) using the plugin: Alicia’s Keys. I film with GoPro hero4 and edit in Final Cut X.
via YouTube https://youtu.be/GNnqL0nwQhY
“Ain’t It Fun” – Paramore (Against The Current Cover)
OFFICIAL COVER VIDEO // AIN’T IT FUN – PARAMORE AGAINST THE CURRENT COVER
_________________________________
OUR DEBUT ALBUM IN OUR BONES IS OUT NOW! – http://ift.tt/28KDJju
OFFICIAL AGAINST THE CURRENT MERCH – http://ift.tt/28L6nVM
IN OUR BONES WORLD TOUR PART 2 TICKETS + VIP ON SALE NOW!- http://ift.tt/1sHRUqZ
IN OUR BONES WORLD TOUR
ASIA // PART 2
——————————————
09/17 Jakarta, ID @ MS Hall http://ift.tt/2fcSNxP
09/19 Nagoya, JP @ Zepp Nagoya
09/20 Tokyo, JP @ Tsutaya O-East http://ift.tt/2hrRKeg
09/22 Osaka, JP @ Zepp Osaka Bayside
09/24 Shanghai, CN @ Bandai Namco http://ift.tt/2fbNa34
09/26 Bangkok, TH @ Rock Pub http://ift.tt/2hrRKLi
09/28 Petaling Jaya, MY @ The Bee http://ift.tt/2fbNaA6
09/30 Manila, PH @ Up Town Center (UPTC)
10/01 Manila, PH @ Ayala Malls Solenad
IN OUR BONES WORLD TOUR
AUSTRALIA // PART 2
——————————————
10/03 Auckland, NZ @ Tuning Fork http://ift.tt/2hrRM5S
10/05 Brisbane, AU @ The Brightside http://ift.tt/2fbNbEa
10/06 Richmond, AU @ Corner Hotel http://ift.tt/2hrRMCU
10/07 Marrickville, AU @ Factory Theatre http://ift.tt/2fcbgdL
_________________________________
FOLLOW AGAINST THE CURRENT
WEBSITE – http://ift.tt/1Dnhjhh
FACE BOOK – http://ift.tt/1lg1MtS
TWITTER – http://www.twitter.com/atc_band
INSTAGRAM – http://ift.tt/28L6oZy
Flash Mob – Gustav Holst – The Planets: Jupiter (Berklee Contemporary Symphony Orchestra)
A flashmob of Gustav Holst’s “Jupiter, the Bringer of Jollity” from The Planets by the Berklee Contemporary Symphonic Orchestra (BCSO) at Prudential Center.
Producer: Bernard Duc
Conductor: Bernard Duc
Audio Mixing / Mastering: Bernard Duc
Audio Engineer: Kenneth Jin
Audio Team:
Kenneth Jin
Lucas Celedon
Video Editing: Peter Sauter.
Video Team:
Peter Xiong,
Peter Sauter,
Athanasios Lazarou,
Jamichael Frazier
BERKLEE CONTEMPORARY SYMPHONY ORCHESTRA
Conductor: Francisco Noya
Assistant Conductors:
Bernard Duc, Lausanne, Switzerland
Gabriela Gomez Estevez, Santiago, Dominican Republic
Sahil Jindal, Rockaway, New Jersey
Anthony Sabatino, Lenexa, Kansas
Violin I
Serena Harnack, Concertmistress, Glen Ellyn, Illinois
Giulia Duchi, Milano, Italy
Gretchen Joki, Derry, New Hampshire
Hanna Zercher, Santa Fe, New Mexico
Jody Slagle, Hanover, Pennsylvania
Nisa Taufik, Kuching, Malaysia
Danbi Choi, San Diego, California
Dorielle Holly, Long Beach, California
Fernanda Perera, Tokyo, Japan
Rachael Rhodes, Stillwater, Oklahoma
Michelle Layanto, Singapore, Singapore
Minnie Jordan, Coupland, Texas
Bailea Woodal, Odessa, Texas
Violin II
Linton (Josh) Robinson, Principal, Troy, Michigan
Jaylon Black, Houston, Texas
Madison Duffy, Las Vegas, Nevada
Benjamin Delaney, St. John’s, Canada
Tiffany Rhee, Los Angeles, California
Timothy Smith, Newark, Delaware
Alexandra Taylor, Waltham, Massachusetts
Kristina Urbano, Buena Park, California
Raya Wahab, Beirut, Lebanon
Corcoran Mikol, Ester, Alaska
Viola
Peter J. Pezzino, Principal, Gold Canyon, Arizona
Lydia Downard, Boston, Massachusetts
Cecelia Cook, Liberty, Missouri
Yi Hsuan Liu, Taiwan, Taiwan
Han Sol Yi, Honolulu, Hawaii
Cello
Keizo Yoshioka, Principal, Hopedale, Massachusetts
Peter Xiong, Cranston, Rhode Island
Jacob Esquivel, Los Angeles, California
Siobhan Cassidy Robinson, Dallas, Texas
Athanasios Lazarou, Kapandriti, Greece
Casey Murray, Rush, New York
Sung Ha Hong, Seoul, South Korea
Bass
Marcelo MacCagnan, Principal Santos, Brazil
Ryan FanelliManchester, Vermont
Pietro Gennenzi, Rome, Italy
Maya Mortman, Sharon, Connecticut
Manos Stratis, Nicosia, Cyprus
Guitar
Assen Vaptsarov, Sofia, Bulgaria
Harp
Abigail Lim-Kimberg, San Francisco, California
Autumn Ramey, Lancaster, Massachusetts
Piccolo
Katherine Neunhoffer, Kerrville, Texas
Celine Hawker, West Jordan, Utah
Oboe
Davis Feeley, Principal, El Cerrito, California
Morgan Lucero, San Francisco, California
Clarinet
Jose Ignacio, Principal, Sts. Aquino, Dominican Republic
Itamar Ben Zimra, Givatayim, Israel
Bassoon
John O’Hara, Westbrook, Maine
Peter Sauter, Brookside, New Jersey
Horn
Dan Pfeiffer, Principal, Orleans, Massachusetts
Biaochun Jonathan Foo, Singapore, Singapore
Andrew Capetandes, Long Island, New York
Mitchell Donahue, Roberts, Wisconsin
Trumpet
Kahlil Long, Principal, Springfield, Virginia
Kyrell Long, Springfield, Virginia
Viacheslav Ivanov, Moscow, Russia
Kieran Zollner, Gilbert, Arizona
Trombone
Ethan Santos, Principal, Fresno, California
Brian Freedman, Brockton, Massachusetts
Michael Riddle, Ipswich, Massachusetts
Bass Trombone
Ethan Santos, Fresno, California
Tuba
Rebecca Shrand, Marsh eld, Massachusetts
Timpani
Yusuf Roshd, Toronto, Canada
Charlie Betzelberger, Overland Park, Kansas
Percussion
Yusuf Roshd, Principal, Toronto, Canada
Charlie Betzelberger, Overland Park, Kansas
Denizcan Aktas, Izmir, Turkey
Faculty Coaches
Bass: Susan Hagen
Harp: Felice Pomeranz
Percussion: Richard Flanagan
Strings: David Wallace and Sharan Leventhal
Woodwinds and Brass: Charlie Lewis
Staff
Jamie Davis-Ponce
Orchestra Manager and Associate Director of Performance Division Programs
OC ReMix #1882: Final Fantasy IV ‘Theme of Love for Guitar Duet’ [Theme of Love] by Pot Hocket
ReMixer: Pot Hocket
http://ift.tt/2sSAemT
FREE at http://ocremix.org • SHIRTS & HOODIES! http://ift.tt/YmYQdT • DONATE! http://bit.ly/ocrPayPal
Facebook! http://ift.tt/YmYQdU • Twitter! http://twitter.com/ocremix
• Game: Final Fantasy IV (Square, 1991, SNES)
• ReMixer(s): Pot Hocket
• Composer(s): Nobuo Uematsu
• Song(s): ‘Theme of Love’
• Posted: 2009-07-23, evaluated by djpretzel
• Album: Featured on “Final Fantasy IV: Echoes of Betrayal, Light of Redemption” (http://ff4.ocremix.org)
Founded in 1999, OverClocked ReMix is an organization dedicated to the appreciation, preservation, and interpretation of video game music. Its primary focus is http://ocremix.org, a website featuring thousands of free fan arrangements, information on game music and composers, resources for aspiring artists, and a thriving community of video game music fans.
For media inquiries (interviews, articles, conventions) or soundtrack development with OverClocked ReMix, please contact us!
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Video by José the Bronx Rican (José E. Felix)
http://ift.tt/Vc7Wg5
Additional direction by Liontamer (Larry Oji)
OverClocked ReMix is a not-for-profit site that provides a ton of free music, which requires a ton of bandwidth and a pretty hefty web server. We need your help to keep the site running!
• http://ift.tt/YmYQdT
• http://bit.ly/ocrPayPal
Xbox One console launch exclusive. The Last Night lets you explore a two-dimensional cyberpunk open world, built with four unique districts each with distinct architecture, cultures and industries. Experience action and infiltration gameplay in the great tradition of cinematic platformers and travel between districts using taxis, ferries, or monorail while trying to keep a low profile and remain undetected. Meet a diverse, inclusive cast of complex characters to interact with through meaningful, branching dialogue and enjoy varied gameplay such as driving down epic highways, flying drones, and hacking droids to do your dirty work.
via YouTube https://youtu.be/n4IPBiB7SF4
